Skip to main content

Selling off the family silver

Global Auction of Public Assets
Dexter Whitfield

Dexter Whitfield is Director of the European Services Strategy Unit as well as being attached to the University of Adelaide in Australia. He has written widely on the privatisation of public services in the UK and undertaken commissioned work for trade unions fighting privatisation in a number of local authorities, including the London borough of Barnet, where the Tories are piloting ‘shrinking the council’. His new book is the first critical analysis of Public Private Partnerships across the world.

It is an impressive study which demonstrates the extent to which the selling off of public infrastructure has become common practice. The study includes the US, France, Ireland, Germany, Canada, Russia, Australia, China, India, Brazil and South Africa as well as the UK.

Whitfield derives from this comprehensive survey a strong critique of privatisation. He demonstrates that Public Private Partnerships (PPPS) are not an alternative to public investment and do not reduce public debt as they are financed entirely by the government or users. He argues that partnerships being based on market criteria are vulnerable to market fluctuations and consequently endangered by the current global financial crisis. The book traces the establishment of an international market in infrastructure, dominated by sovereign wealth funds and private equity funds who trade schools, hospitals, roads and even prisons as commodities.

The book demonstrates the extent to which privatisation projects fail not just in terms of job losses but in terms of failure also for the investor. He shows the extent to which financial assessments to demonstrate value for money of PPSs are fundamentally flawed. PPS tend to be costly, poor value and lack innovation and do not generally involve significant transfer of risk from public sector to private sector. They also undermine democracy and public accountability.

Whitfield’s conclusion is that little can be achieved by reforming the PPP model. He sets out a framework for regulating existing PPPS but his main argument, which I would strongly endorse is what we need is a structure of public sector led investment, based on priorities set through an accountable process and where plans are developed collaboratively between civic, community and trade union organisations.

This may at first appear to be a fairly dry book, stuffed with facts, figures and schedules of PPP projects, but this kind of evidence based research is important if we are to rebuild a system of service planning and infrastructure delivery which is based on public needs rather than private profit, whether in the UK or in other countries. Gordon Brown is not the only person who might benefit from reading this book.

Duncan Bowie
Chartist, March/April 2010

Global Auction of Public Assets

is available to BUY NOW from Spokesman Books



Comments

Popular posts from this blog

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up

James Kirkup

James Kirkup has died, aged 91. In 2004 he sent us a copy of No More Hiroshimas . He had originally collected together this volume of hia A-bomb poems in 1983, but it took twenty years before we published it 'as a real book'. James recounts 'My A-Bomb Biography' in his preface. Here are the opening lines of the title poem, No Mor e Hiroshimas . At the station exit, my bundle in hand, Early the winter afternoon's wet snow Falls thinly round me, out of a crudded sun. I had forgotten to remember where I was. Looking about, I see it might be anywhere - A station, a town like any other in Japan, Ramshackle, muddy, noisy, drab; a cheerfully Shallow impermanence: peeling concrete, litter, 'Atomic Lotion, for hair fall-out', a flimsy department store; Racks and towers of neon, flashy over tiled and tilted waves Of little roofs, shacks cascading lemons and persimmons, Oranges and dark-red apples, shanties awash with rainbows Of squid and octopus, shellfish, slabs o